{"version":"1.0","provider_name":"Teksite","provider_url":"https:\/\/www.cetici.com\/teksite","author_name":"Teki","author_url":"https:\/\/www.cetici.com\/teksite\/author\/admin\/","title":"Les Caprices de Goya - Teksite","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GYlQbIjvXI\"><a href=\"https:\/\/www.cetici.com\/teksite\/2008\/06\/19\/les-caprices-de-goya\/\">Les Caprices de Goya<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cetici.com\/teksite\/2008\/06\/19\/les-caprices-de-goya\/embed\/#?secret=GYlQbIjvXI\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Les Caprices de Goya\u00a0\u00bb &#8212; Teksite\" data-secret=\"GYlQbIjvXI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cetici.com\/teksite\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Oeuvres censur\u00e9es par l\u2019Inquisition Espagnole, 80 gravures sont visibles \u00e0 Lille. Au Mus\u00e9e des Beaux-Arts de Lille, Goya n\u2019est pas un inconnu. Deux toiles du ma\u00eetre expos\u00e9es \u00e0 demeure \u00ab\u00a0les Jeunes\u00a0\u00bb et \u00ab\u00a0les Vieilles\u00a0\u00bb. Dix ans apr\u00e8s l\u2019exposition \u00ab\u00a0Goya, un regard libre\u00a0\u00bb (du 12 d\u00e9cembre 1998 au 14 mars 1999) organis\u00e9e par la R\u00e9union des mus\u00e9es nationaux, la Ville de Lille &#8211; Palais des Beaux-Arts et le Mus\u00e9e de Philadelphie o\u00f9 ensuite elle f\u00fbt install\u00e9e\u00a0; Revoil\u00e0 Goya avec cette fois ci ses Caprices. \u00ab\u00a0Francisco de Goya y Lucientes (Fuendetodos, 1746 &#8211; Bordeaux, 1828) compte, avec Vel\u00e1zquez, parmi les plus grands [&hellip;]","thumbnail_url":"http:\/\/www.cetici.com\/teksite\/wp-content\/uploads\/2008\/06\/goya11.jpg"}