{"id":931,"date":"2008-06-19T15:13:21","date_gmt":"2008-06-19T13:13:21","guid":{"rendered":"http:\/\/www.cetici.com\/cetici\/spip.php?article10"},"modified":"2008-06-19T15:13:21","modified_gmt":"2008-06-19T13:13:21","slug":"les-caprices-de-goya","status":"publish","type":"post","link":"https:\/\/www.cetici.com\/teksite\/2008\/06\/19\/les-caprices-de-goya\/","title":{"rendered":"Les Caprices de Goya"},"content":{"rendered":"<p style=\"text-align: justify;\">Oeuvres censur\u00e9es par l\u2019Inquisition Espagnole, 80 gravures sont visibles \u00e0 Lille.<\/p>\n<p style=\"text-align: justify;\">Au Mus\u00e9e des Beaux-Arts de Lille, Goya n\u2019est pas un inconnu. Deux toiles du ma\u00eetre expos\u00e9es \u00e0 demeure \u00ab\u00a0les Jeunes\u00a0\u00bb et \u00ab\u00a0les Vieilles\u00a0\u00bb.<br \/>\nDix ans apr\u00e8s l\u2019exposition \u00ab\u00a0Goya, un regard libre\u00a0\u00bb (du 12 d\u00e9cembre 1998 au 14 mars 1999) organis\u00e9e par la R\u00e9union des mus\u00e9es nationaux, la Ville de Lille &#8211; Palais des Beaux-Arts et le Mus\u00e9e de Philadelphie o\u00f9 ensuite elle f\u00fbt install\u00e9e\u00a0; Revoil\u00e0 Goya avec cette fois ci ses Caprices.<\/p>\n<p style=\"text-align: justify;\">\n<p><a href=\"https:\/\/www.cetici.com\/teksite\/wp-content\/uploads\/2008\/06\/goya11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-957\" title=\"goya\" src=\"https:\/\/www.cetici.com\/teksite\/wp-content\/uploads\/2008\/06\/goya11.jpg\" alt=\"\" width=\"270\" height=\"339\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u00ab\u00a0Francisco de Goya y Lucientes (Fuendetodos, 1746 &#8211; Bordeaux, 1828) compte, avec Vel\u00e1zquez, parmi les plus grands peintres de l\u2019\u00e9cole espagnole et de l\u2019histoire de l\u2019art europ\u00e9en. A l\u2019instar de D\u00fcrer au XVIe si\u00e8cle et de Rembrandt au XVIIe si\u00e8cle, il fut \u00e9galement un dessinateur et un graveur exceptionnel. Devenu sourd en 1792, Goya transforme son art jusqu\u2019alors fait de sc\u00e8nes religieuses, de sc\u00e8nes aimables ou de portraits, pour cr\u00e9er des \u0153uvres aux tons plus sombres, portant un regard ouvertement critique sur les \u00e9v\u00e9nements et la soci\u00e9t\u00e9 de son temps. Trois grands th\u00e8mes y sont abord\u00e9s\u00a0: les relations amoureuses, la satire sociale et la sorcellerie o\u00f9 le fantastique r\u00e8gne davantage. Ils sont une des expressions majeures de cette r\u00e9volution artistique et esth\u00e9tique au cr\u00e9puscule du si\u00e8cle des Lumi\u00e8res. La s\u00e9rie des Caprices, dont la premi\u00e8re \u00e9dition parait en 1799, se compose de 80 estampes r\u00e9alis\u00e9es \u00e0 l\u2019eau-forte et \u00e0 l\u2019aquatinte, parfois rehauss\u00e9es de burin et de pointe s\u00e8che. Ces images satiriques d\u2019une grande finesse d\u2019imagination, sont comme des r\u00e9bus dont la subtilit\u00e9 de lecture pose encore de nombreuses interrogations sur leur interpr\u00e9tation. En explorant l\u2019\u00e2me humaine \u00e0 travers ces estampes, Goya leur conf\u00e8re un langage universel et intemporel. L\u2019exposition pr\u00e9sente la s\u00e9rie dans son int\u00e9gralit\u00e9 pour la premi\u00e8re fois \u00e0 Lille. <a href=\"http:\/\/www.pba-lille.fr\/\" target=\"_blank\">Mus\u00e9e des Beaux-Arts de Lille<\/a> \u00bb<br \/>\nCette s\u00e9rie de gravure fut rapidement censur\u00e9e sous la pression de l\u2019Inquisition. Celle ci n\u2019ayant sans doute gu\u00e8re go\u00fbt\u00e9 la satire violent des vices communs \u00e0 tous les hommes.<br \/>\nEn compl\u00e9ment aux 80 gravures du Ma\u00eetre, sont pr\u00e9sent\u00e9es des oeuvres contemporaines des fr\u00e8res Jack et Dinos Chapman, Yasumasa Morimura, Rona, Pondick, thomas Sch\u00fctte et David Reekie.<br \/>\nCette exposition pr\u00e9alablement pr\u00e9vu du 25 avril au 28 juillet sera prolong\u00e9e jusqu\u2019au 17 ao\u00fbt 2008.<br \/>\nVous pouvez aussi lire les 28 pages du <a href=\"http:\/\/www.pba-lille.fr\/IMG\/pdf\/GOYA_guide_visite.pdf\" target=\"_blank\">Guide visite (PDF)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oeuvres censur\u00e9es par l\u2019Inquisition Espagnole, 80 gravures sont visibles \u00e0 Lille. Au Mus\u00e9e des Beaux-Arts de Lille, Goya n\u2019est pas un inconnu. Deux toiles du ma\u00eetre expos\u00e9es \u00e0 demeure \u00ab\u00a0les Jeunes\u00a0\u00bb et \u00ab\u00a0les Vieilles\u00a0\u00bb. Dix ans apr\u00e8s l\u2019exposition \u00ab\u00a0Goya, un regard libre\u00a0\u00bb (du 12 d\u00e9cembre 1998 au 14 mars 1999) organis\u00e9e par la R\u00e9union des mus\u00e9es nationaux, la Ville de Lille &#8211; Palais des Beaux-Arts et le Mus\u00e9e de Philadelphie o\u00f9 ensuite elle f\u00fbt install\u00e9e\u00a0; Revoil\u00e0 Goya avec cette fois ci ses Caprices. \u00ab\u00a0Francisco de Goya y Lucientes (Fuendetodos, 1746 &#8211; Bordeaux, 1828) compte, avec Vel\u00e1zquez, parmi les plus grands [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[352,419],"class_list":["post-931","post","type-post","status-publish","format-standard","hentry","category-sorties","tag-goya","tag-musee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Les Caprices de Goya - Teksite<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cetici.com\/teksite\/2008\/06\/19\/les-caprices-de-goya\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les Caprices de Goya - Teksite\" \/>\n<meta property=\"og:description\" content=\"Oeuvres censur\u00e9es par l\u2019Inquisition Espagnole, 80 gravures sont visibles \u00e0 Lille. Au Mus\u00e9e des Beaux-Arts de Lille, Goya n\u2019est pas un inconnu. Deux toiles du ma\u00eetre expos\u00e9es \u00e0 demeure \u00ab\u00a0les Jeunes\u00a0\u00bb et \u00ab\u00a0les Vieilles\u00a0\u00bb. 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